Wednesday, February 12, 2020

Death is but a Dream, an excerpt

The first book to validate the meaningful dreams and visions that bring comfort as death nears, Death is but a Dream, has been written by hospice physician Christopher Kerr, MD, PhD. NHPCO is proud to have Dr. Kerr as the day two keynote for the 2020 Interdisciplinary Conference in Little Rock, AR (October 12 - 14).

NHPCO is pleased to share an excerpt from Death is but a Dream, with permission of the publisher Avery, a member of Penguin Group (USA) LLC, A Penguin Random House Company.


For some patients, the peace and understanding gained at end of life is achieved through dreams and visions that wash over them, summoning up images and emotions that soothe and appease. Others attain perspective through a more con­scious process of reflection that they methodically apply to their end‑of‑life dreams and visions. These are patients who are keen on trying to understand the mysterious process through which death is somehow turned into a familiar, even welcome friend at life’s end. This was true of Patricia, for instance, who had been so eager to help us move our research along. The conclusions we reached through the study were truly remarkable, but it took patients like her to give them a human face. Patricia had such an exceptional recall of her end‑of‑life dreams and visions that she became one of our richest points of access to the comforts pro­vided by these experiences.

When she arrived, Patricia took Hospice Buffalo by storm. She was ninety years old, and nothing about her past, physical condition, or appearance could have prepared us for the en­gaged, alert, and witty person she revealed herself to be. She had advanced pulmonary fibrosis and often struggled to breathe at rest despite being permanently connected to a portable oxy­gen tank. Patricia’s condition was so advanced that she could not walk across the room without experiencing severe respira­tory distress, but she made up in verbal delivery what her body couldn’t deliver in mobility. She spoke in as uninterrupted and fast a flow as an auctioneer. Talking to her for any length of time inevitably eclipsed her physical symptoms or the medical equipment she depended on, so much so that someone once re­marked that she wore her nose tube like an accessory. She was so self-possessed that anything connected to her body, artifi­cial or otherwise, looked like an extension of her, no different from the horn-rim glasses or the butterfly hairpins she wore. She was also intellectually vibrant and curious, and we found ourselves thinking of her more as an interlocutor than as a pa­tient. Patricia maintained a desire to engage and express herself right up to the very end, even when her disease had progressed to the point where she longed to die.

Her mother had died of pneumonia when Patricia was nine, and at thirteen, she’d begun taking care of her father, who had been diagnosed with the same disease Patricia now had, pulmo­nary fibrosis. They did not have access to the social services that are now available to severely ill patients and their families, so caring for him was a full-time job. Patricia’s description of this period in her life revealed how, in the post-depression era, ma­turity at an early age was not the luxury it became for later gen­erations of American teenagers: “I had to be a caretaker from the time I was very, very young. It was a difficult role to play at any stage but particularly difficult when you are thirteen. I never resented it, though, not until I came to these crazy dreams.”

Patricia’s “crazy dreams,” as she put it, fascinated her. She wrote extensively about them in her diary and happily shared her abundant commentary with us. She was grateful to be around people who not only took them seriously but with whom she could discuss their singular nature. “It isn’t the morphine, then?” she asked when we first broached the topic, relieved to know that experiences that mattered to her were not just drug-induced hallucinations. And after pleading with me not to su­garcoat what was happening to her, she added, “So there is a pattern to this thing? Being bossy and inquisitive, I am going to ask you a hard question: Is there any way of knowing where on this graph I am?” She had realized that there was a connection between dream frequency on the one hand and one’s closeness to the end on the other, so there was no stopping her analytical mind from trying to identify a logic to the changing patterns of her dreams. Accustomed to managing lives from a young age, she was now working on managing her last moments, including anticipating her time of death.

As her condition worsened, she increasingly spoke of death as deliverance, so much and so often that her grown children became uncomfortable, asking her to refrain from mentioning it in their presence. I could not blame them. Here was the mother they cherished, who was talking about her death, which was also their loss, as something to scratch off her to‑do list. It felt to them like she was discussing her pre-death dreams as if she were conducting a laboratory experiment.

I knew better than to mistake this obsession with death and dying for cheap morbidity. Patricia had spent her life taking care of others. She had tended to her dying father at an age when most kids are preoccupied with fantasies about running away or stealing a smoke; she had lived through the war, the rationing system, the anxiety of not knowing whether her fi­ancĂ© would survive his armed service to the country; and she had raised kids in a household where she’d had to “wear the pants.” Having spent a lifetime managing others, she was now preparing for her own exit, as much for her sake as for theirs. After all, only the unexpected can be traumatizing, so prepar­ing herself for death was one way of averting trauma, for herself as well as for her loved ones. Patricia had spent her life worrying about them, and she was not about to suddenly change course at its end. If anything, people’s character traits get more pro­nounced with age. The following passage that she once read to me from her diary illustrates this best: “I am of no use to anyone now, I hate to think that. I have to get help with stuff and it will only get worse, I am sure. So that is why I am saying let’s get on with it. I dearly love all the ones that are still here, but I can’t do anything for any of them, and it is too bad that they have to bother about me. So this morning, I’d like to cry but I don’t. I’d like to have my mother tell me it is ok. I’d like to wake up and walk up to Chuck [her husband] and take him by the hand and walk into the eternal sunset, but that is another story, another breath, another day.”

Patricia was alternating between fear of the unknown and a sense of defeat, disguising both under a veneer of casualness she did not truly feel. It was a facade meant to reassure herself as well as others. After all, she was not one to draw attention to her troubles. “Everyone has problems,” she would say. “I would never go down the hall and complain, because there is always someone worse off than I am.”

Certainly, there were extreme episodes of breathlessness that would coincide with her feeling utterly dejected and plead­ing for a swift death, but until the last week of life, these pleas were more cries of exasperation than of conviction. On her deathbed, several days before the end, she admitted as much: “You try your darndest to get better because so many people depend on you, but now I am content to just leave everything. That started just recently.” This was also when she somehow found the strength to remember and recite Hamlet’s famous soliloquy: “To die, to sleep. To sleep, perchance to dream—ay, there’s the rub. For in that sleep of death what dreams may come.”

Patricia had a way of making me do homework I should have attended to in college; I once again had to resort to Google to brush up on what it was that concerned Hamlet about the after­life. I did so later that day and smiled, remembering how several weeks earlier, she had apologized for inadvertently interrupting me when I was handing out instructions to staff: “You’d better watch out or I’ll be sitting in your seat soon,” she said. I was go­ing to miss her.

For Shakespeare’s forlorn hero, the fact that we don’t know what lies beyond “when we have shuffled off this mortal coil” is what makes us stretch out our suffering for so long. I suspect that what kept Patricia hanging on to life for as long as she did despite mounting pain and her exhortations to the contrary had everything to do with love: of family and of her research team at Hospice Buffalo. I am also grateful that her end‑of‑life experiences helped bring her, one of the most selfless human beings I knew, back in touch with her core self.

On one of my last visits with Patricia I asked her, “Who would you want to see in your dreams going forward?” even though I already knew the answer. As predicted, she replied, “I’d like to see my mother because I never got to know her.”

I went to see Patricia one last time before she died. She could no longer speak and looked unresponsive. I bent over and asked her in a whisper if she’d seen her mother, not truly expecting an answer. She smiled, nodded, and pointed upward.

Nothing was said and everything was understood.

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